Avatar the Movie by James Cameron is most probably the most captivating 3D fantasy-science-fiction-action movie we have seen so far and it will definitely influence the way movies will be made in the future.
While the story has a wonderful mission and can be understood – without words – on many different levels, it touches both sides within us: the deeper knowledge and longing for wholeness and harmony with Nature … and the destructive violence of power and greed that are in constant confrontation within the fabric we human beings are being made of – and as we see it with the indigenous humanoid culture of the Na’vi on planet Pandora… it’s no different. Not yet. . .
What fascinated me most was…
~ the concept of the Avatar itself – according to Cameron “… an incarnation of one of the Hindu gods taking a flesh form. In this film what that means is that the human technology in the future is capable of injecting a human’s intelligence into a remotely located body, a biological body…” which I’d like to expand into reflections as to who we ourselves actually are when incarnating in a chosen body (?) and going through a life experience or life situation;
~ the whole idea of a vast bio-botanical neural network of constant connection (think Akasha), communication and interaction – which in my view could have had much more depth, but it’s beautiful as it is presented and might just open the space to some future cinematograph who’d take these tentative beginnings much further;
~ the technical side with its amazingly photo-realistic computer-generated characters and environments
~ and the Graphic Design of it all of course!
Avatar the Movie by James Cameron
We can learn a lot from writer, producer and director James Cameron, who we all know from grand best-selling movies like “Aliens” and “Titanic”.
His goals were clearly set and he didn’t let time interfere with his vision. While he wrote the script as early as 1994 and decided that Avatar would have synthetic, computer-generated actors and a couple of leading roles “who appear to be real but do not exist in the physical world” as he expressed himself, he decided that since in his view the technology at the time wasn’t ready to translate his vision in an adequate way, he waited for the right timing and focused on refining the technology for the following years.
Until 2006.
In September 2006 he declared that he would be using his own Reality Camera System to film in 3D where two high-definition cameras would be used in a single camera body to create as perception of depth.
Additionally, Cameron used new sophisticated motion-capture animation technology to create incredibly photo-realistic computer-generated characters. The difference now was that Cameron’s new virtual cameras allowed him to watch directly on a monitor how the actors’ virtual counterparts interacted with the movie’s digital world in real time and adjust and direct the scenes just as if shooting live action – instead of the normal motion-capture systems, where the digital environment is added after the actors’ motions have been captured.
“It’s like a big, powerful game engine. If I want to fly through space, or change my perspective, I can. I can turn the whole scene into a living miniature and go through it on a 50 to 1 scale.”
No wonder, to create the Pandora complex as seen in the film required over a petabyte of digital storage.
With a new heat wave hitting the Cape of Good Hope down here in South Africa, the best place to be today was the sea, the fridge or … the movie theatre. So we went to see the movie “2012″ by Roland Emmerich – which USA Today called “… the mother of all disaster movies”… and truly so.
OUFFF! Disaster isn’t my cup of tea at all, but with my interest in Design and 3D Animation and being a grand movie freak, I went there for the special effects… and I got more than I wanted! In fact, I needed some time to land after having been swept across all continents by land, air and sea escaping monstruous tsunamis, tornado earth quakes, continental shifts, polar inversions etc etc and this in all sorts of ways the human race literally raced to survive after solar flares had basically set the inner earth core on fire with temperatures rising at gigantic speed and dramatically changing the planet forever.
2012 by Roland Emmerich
Without today’s fascinating and incredibly advanced technological possibilities – and corresponding budgets – a movie like 2012 by Roland Emmerich would very probably never be made.
The storyline isn’t that different basically from what you may remember from “The Day After Tomorrow” – when temperatures over especially North America dropped astronomically within just 7 short days and the President of the USA had to make some difficult and drastic evacuation decisions… Here we have the inversion on a global scale, we also have the ‘warning’ and the initial disbelief of the world’s political leadership in what some scientists from the other end of the world – this time at the bottom of a boiling hot copper mine in India – have to report… until things start happening… literally cooking… California disappears, Yellowstone disappears, Washington falls, the Vatican collapses. . . and there is almost no more place to go, no escape… but for those privileged 400,000 who could pay a ticket at 1 Billion Euros a piece – who of course consider themselves as the creme de la creme of the human race and worth of carrying on the species after three modern “Arks” (… well built in advance for this exact planetary situation, hint, hint… and conspiracy believers are nodding…) would place them together with some representative Master pieces of our Civilization’s Art and Culture – like the Mona Lisa, officially stolen from the Louvre – into a new dawn… to start again from scratch.
The joke for me was that this place – at the end of the movie – this new dawn… was exactly here, at the Cape of Good Hope… in the middle of the current heat wave – and the Drakensberg became the highest mountain on earth. Yeah, life would start again in Africa … and there were surrealistic vistas when, within the total apocalyptic chaos, we see helicopters transporting giraffes and elephants in biblic ‘two’s – so African safaris in the brave new world would be secured… Yet, with so much overwhelming chaos at incredible lengths and with hammering music slashing out at our emotional barometers, one was no longer drawn into the magic, it was too much, too long, too loud, too obvious, and despite the incredible Special Effects – well, less would have been more in my personal view.
I had also been interested in how the Mayan Calendar had been woven into the story, knowing that there was never a prediction of an end of the world but the beginning of a new era or epoche, called the era of “Ethics” – which I would greet with all my heart… but except in stereotypes like “If we stop caring for one another, we lose our humanity” … there wasn’t much of what I would have expected.
So if you are a fan of disaster movies and this is exactly what you expect – then the movie delivers the promise, then this is for you. You were warned!
“Coco Avant Chanel” is the new movie written and directed by Anne Fontaine on the early years of Gabrielle “Coco” Chanel (19 August 1883 – 10 January 1971).
The drama is focusing on the future French Fashion icon’s legendary rise from a humble if not miserable childhood in an orphanage to her first millinery shop in 1912 to becoming the sought-after fashion designer in Paris in her 30’s and – as she prophesized with remarkable and inspiring determination and conviction while still fighting for survival – on the brink of fame and fortune…
That’s where the movie ends.
Before CHANEL. Before the wars. Before the glitz, power plays and intrigues that revolved around a woman that went her way alone with courage and charisma, opening not only new ways for Fashion – where she replaced the imprisonment of the corset with comfort and casual elegance and had the audacity to introduce women’s trousers into a man’s world… just to name these two revolutionary fashion trends she (and nobody else) set – but also bringing more freedom in many ways to all women of her time.
Coco Avant Chanel - the movie poster
Elegance is refusal
To Coco Chanel “Elegance is Refusal” and as we follow the world through her dark observing eyes, her elegance – and refusal – expands to a form of philosophy she lives without compromise.
She only talks when there is “… something to say… ” and what she says when sufficiently challenged – especially by the frivolous jet set playboys at the beginning of 1900-something – is revolutionary if not shocking . . . and never empty words – I like that. She was different, she was apart, she was herself and not to be ‘possessed’. . . and to me this was exactly what attracted the men who could buy everything… the men she needed to go her way.
Alone.
Without fear.
Driven by an inner knowing of her own Ability and Greatness.
This is the Message of the movie… a quiet yet profound movie that is an excellent portrayal in many ways.
Beautiful French actress Audrey Tautou fuses perfectly with the famous and highly influential Grande Dame de la Haute Couture she personifies; we are quickly drawn into the story and identify with her on her fascinating rags-to-riches journey.
Fashion is architecture: it is a matter of proportions
Having always had a faible for “Chanel” and being addicted to Chanel No.5 … what interested me much more than her love affairs was what actually triggered that elegance and clarity of style, in other words her signature when it came to Fashion.
Coco Chanel Logo
Although some eye-opening moments are sensitively woven into the fabric of this movie – like when the young orphan is fascinated by the nuns’ black and white robes – Chanel’s future fetish colours… and one needs to remember that at the time black was only worn by men or mourners – or when she sees all those beauties in Deauville with hats like “cakes on their heads,” which motivates her to design a simpler silhouette… and when she starts cutting her English lover’s clothes down to fit her own slim body proportions . . . but there could have been more. If it had been the main theme, which it wasn’t.
But that’s what fascinates me most with Coco Chanel, to whom “Fashion is Architecture: it’s a matter of Proportions” and . . . “Simplicity is the keynote of all true elegance.”
Simplicity is the keyword here. . . and Style – as … “Fashion fades away, but only Style remains the same”.
Where did she get that unique “style”? A style and simplicity that are reflected beautifully in the perfect Company logo (see above).
Perhaps we will see more of this in “Chanel after Coco”!
I’ll sure be there. . . it’s time well spent and even today it has a wonderfully encouraging and liberating message – check it out and you might see. . .”How many cares one loses when one decides not to be something but to be someone.”
That’s Coco Chanel – the legend lives on!
. . .
Author: Bianca Gubalke, Art, Media, Publishing.
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Harry Potter and the Half-Blood Prince – the Movie
Harry Potter struck again and kept as always the promise of delivering a 153 minutes high quality mix between adventure and fantasy… definitely an absolute emotional delight for all Harry Potter Fans and surely a way to escape what we understand as ‘reality’ (…TA!) and slip seamlessly into a world of Fun, Fantasy and Furore! This time with a little Amore … as even in Hogwarts kids grow up, hormones go crazy and the little Daniel Radcliffe we admired in the first Harry Potter now needs to shave… :)
Harry Potter Official Synopsis
Harry Potter Movie Poster
Warner Bros. describes the story as follows:
“Voldemort is tightening his grip on both the Muggle and wizarding worlds and Hogwarts is no longer the safe haven it once was.
Harry suspects that dangers may even lie within the castle, but Dumbledore is more intent upon preparing him for the final battle that he knows is fast approaching. Together they work to find the key to unlock Voldemort’s defenses and, to this end, Dumbledore recruits his old friend and colleague, the well-connected and unsuspecting bon vivant Professor Horace Slughorn, whom he believes holds crucial information.
Meanwhile, the students are under attack from a very different adversary as teenage hormones rage across the ramparts. Harry finds himself more and more drawn to Ginny, but so is Dean Thomas. And Lavender Brown has decided that Ron is the one for her, only she hadn’t counted on Romilda Vane’s chocolates! And then there’s Hermione, simpering with jealously but determined not to show her feelings. As romance blossoms, one student remains aloof. He is determined to make his mark, albeit a dark one. Love is in the air, but tragedy lies ahead and Hogwarts may never be the same again. ”
Harry Potter for Children and Adults
“Harry Potter and the Half-Blood Prince” is the 6th movie in an amazing and as always beautifully crafted adventure series based on the superb best-selling novel by J.K. Rowling.
I love these movies not only because they can be watched on different levels of depth and understanding by both children and adults – and there is no missing of their deeply anchored Keltic roots which are emphasized by some awesome real landscape shots (… filmed in Scotland I guess…) – but because of the arts & craft of the movie itself. What I mean is the superb setting and production design, camera work, lighting, directing by David Yates and the wonderful actors which all have that touch of ‘unspoiltness’ that brings and keeps them so alive and believable episode after episode.
Harry Potter Visual Effects
And having an artistic background, I totally admire the “Visual Effects”, the brilliant and often humorous touches in many scenes, starting right from the beginning when the titles dissolve in and out. It’s not l’art pour l’art – it makes perfect sense within the story. It’s organic, it fits. I remember experimenting with these exact effects when filming inks dissolving in water over glass in the mid-eighties; it was called “Time Made Visible” by the SWF Baden-Baden… The means were minimal against what’s possible with 3D Animation and Visual Effects today, however, it all existed in our dreams and thoughts then already – and becoming reality in today’s grand movies.
The camera was outstanding, sometimes capturing well-planned and orchestrated scenes from surprising angles in single long shots…. masterful and very interesting cinematography by Academy Award nominated Bruno Delbonnel.
Just as the transitions were superb and never confusing – great editing too!
It’s so precious in our time of fast gratification and superficiality to see what special attention is being paid to each detail. Clearly, it must be special to be part of such a production and to work for such a clear purpose – and the audience receives the message and rewards this thrilling series with unwavering loyalty.
No surprise… and then we already speculate as to what comes next!!!
Harry Potter Box Office
The film opened to critical acclaim and became an instant commercial success. It broke the records for “… biggest midnight opening gross of all time as well as biggest single-day worldwide gross of all time”
Incredible but true: in only 5 days the film made $391 million, breaking the record for biggest five-day worldwide gross in history.
My Tip: make this Harry Potter Movie a “Family Thrill” – go on a wizzard trip :)
There’s nothing like a real good movie watched in a real cinema!
Life is a constant display of light and shadow in many nuances – and so is Art… especially when it portraits a certain epoque, its values and people.
The skillful handling of colours by great artists to express light, shadow and depth in all their meaningfulness always fascinated me… and when it comes to cinematography there’s no movie masterpiece without accomplished lighting.
Francisco Goya Image
Francisco Goya
During my studies of the Fine Arts in Paris, I had the opportunity to spend some time in Spain – especially in Madrid with its Prado Museum – , where I studied, amongst others, the Spanish painter and printmaker Francisco Goya.
While Goya is an impressive chronicler of the Spanish history and its insane nightmare in form of the Spanish Inquisition, what interested me was his bold handling of paint… an element that influenced later generations of painters, eg. Picasso and Manet – and made him to be considered as the “Father of Modern Art”.
“Goya’s Ghosts” – the Movie by Miloš Forman (2006)
When I was invited to watch “Goya’s Ghosts” during one of those recent cold, rainy winter nights down here in South Africa, I was very interested to see how the famous Czech-American screenwriter and director of cult movies like “One Flew Over the Cuckoo’s Nest” and “Amadeus” would integrate Goya’s unique artistic view and eclairage… while a theme like the Spanish Inquisition normally makes me run…
However, bearing in mind that Forman lost both his parents during an equally destructive epoche of human disgrace called the Holocaust, it’s not surprising he had to make this movie (… and now “Ghosts of Munich”, 2009… ). That’s how artists are…
I wasn’t disappointed…
Goya and his Art are omnipresent from beginning to end.
Forman and his Team painted – through Goya’s eyes and portraying part of his life as the court painter to the Spanish Crown… who then turns deaf and steers towards his “Black Paintings” of war disasters – a terrific, dramatic and totally evil time picture with outstanding actors – especially with Natalie Portman playing Inés/Alicia… and Javier Bardem in the role of Napoleon’s chief prosecutor alias “Brother Lorenzo”.
Although the story itself is fiction, the movie is a time picture that needs some strong nerves but that is absolutely worth watching.
At the end you may ask yourself: is there more light today… or more shadow?
Most probably… and if you are like me… you will be glad to be living today… NOW !
When a friend invited me to the movie “Angels & Demons” the title rang a bell, but it was only when I saw the first breath-taking scenes – where scientists successfully start the ‘Large Hadron Collider’ and manage to create 3 vials of antimatter in CERN, one of which is immediately stolen by a killer and so the story starts… – that I knew that it was based on a best-selling mystery-thriller by Dan Brown I couldn’t put down some years ago when the novel was published.
Galileo Galilei
The Plot of the story is based on the old and fierce conflict between Science and the Roman Catholic Church… taking up the ancient thread with the Italian physicist, mathematician and astronomer of whom Stephen Hawkins said that he “. . . perhaps more than any other single person, was responsible for the birth of modern science” … and who was tried and severely punished by the Roman Inquisition for his revolutionary view of a heliocentric vision of the Earth – meaning that the Earth is not the motionless centre of the Universe (geocentric) as the Roman Catholic Church clerics vehemently maintained… We are talking of none other than Galileo Galilei (15 February 1564 – 8 January 1642) … the genius who founded thesecret Illuminati movement in opposition to the enemy, the Roman Catholic Church… A movement that was forced to go underground and was thought to have disappeared long ago. . .
So for the background of the movie “Angels and Demons” we have :
… modern Science with remarkable technological advances and playing “God” in some clerics’ eyes. . . and
… the Roman Catholic world mourning the passing of the Pope and the Vatican preparing the Conclave for the selection of the next Pope. Meanwhile, the “Camerlengo” is in charge of the day-to-day operations until the new Pope is chosen – that’s the opulent setting, embedded in the historically rich and architecturally extraordinary scenery of Rome and the Vatican… with masses of faithful Catholics flocking to St. Peter’s Square to wait and watch until the white smoke from the Conclave would be announcing the new Pope… the chosen one…
Little do they know what’s happening behind the scenes. . .
Click HERE for the short Movie Trailer (disabled for embedding…)
St. Peter's Square, Vatican
Here’s the sudden twist:
Just before enclosing themselves in Conclave to elect the new Pope, the 4 most likely candidates disappear… and it’s the ‘Illuminati’ – that 400-year old secret society – who threaten to kill them at 8, 9, 10 and 11 pm and to set the Vatican on fire in a “burst of light” at midnight. The bitter reality of this terrible threat is proven with fresh video footage showing the 4 kidnapped Cardinals and… the vial of antimatter, the literal time bomb.
So the clock is ticking… and believe me, you hear it in your heart… from now on it’s Action… it’s a question of life and death for many – first the victims, then the masses on St. Peter’s Square and Rome and far beyond… as the detonation power of this vial of antimatter is extremely powerful and ‘terminating’.
What or who could help in this situation?
Who could find the secret hiding place of the Illuminati… and with it rescue the Cardinals and most importantly, the antimatter… before it is too late? Before it is 8pm… 9 pm… 10 pm… 11 pm… midnight? Rescue the Vatikan… rescue Rome?
The answer is controversial author and Harvard symbologist Dr. Robert Langdon – brilliantly played by Tom Hanks – who has discovered evidence of the resurgence of this ancient secret brotherhood – the Illuminati – the most powerful secret organization in history… and who despises the Roman Catholic Church.
However, many lives are at peril and when he’s summoned to the Vatican, he follows and teams up with beautiful scientist Vittoria Vetra… and from now on we become part of a breath-taking non-stop hunt following a trail of ancient Illuminati symbols through crypts, eerie catacombs, deserted cathedrals, and into the ‘angelic’ center of the most secretive vault on earth… to rescue the Vatikan… to rescue Rome.
Film Cast and Production
I won’t tell you more as if you enjoy the topic and the thrill you better go and see it – it’s good entertainment! Having a professional background in filmmaking, I visualized a movie from the start when steaming through the pages almost 10 years ago. . . now it’s here. The film rights were purchased by Sony and besides the shootings in Rome, the rest was produced in the Sony Pictures Studios in L.A….
Armin Mueller-Stahl
The highly successful sequel to “The Da Vinci Code” (2003) is directed by Ron Howard and features stars like Tom Hanks and a German gentleman and top award-winning actor I always admired, Armin Mueller-Stahl… unbelievable 80 years of age today…
Box office
The official release was just recently on 15 May 2009… and according to official sources, the movie “Angels & Demons” grossed $152 million worldwide in its opening weekend, and, within its first week, reached the #1 position at the Box Office – before Star Trek!
Sounds almost like Google rankings… doesn’t it?
Happy Watchin’… and though there are fortunately only a few visually brutal scenes, keep the seatbelts fastened as there’s a lot of thrill – and some really magnificent scenes… !
Film Review: Back to the Future with “Blade Runner”
Cape Town, 6 March 2009 – by Bianca Gubalke
Film Reviews
Although forward-thinking and always interested in the new and progressive, I also follow my intuition… especially when suddenly something happens that connects me with my favorite movies. I am talking of movies I studied, analyzed and learned so much from during my active years as a screenplay writer for the European Film and Movie Industry. Yesterday’s electrifying trigger was the mesmerizing music of one of my favorite composers… another Greek with an incredibly long and mythologically tinted opulent name, the short version being: Vangelis!
It was this music that brought back memories of the jaw-dropping and goosebumps-raising cult film “Blade Runner” (1982), a science fiction masterpiece directed by Ridley Scott and starring Harrison Ford, Rutger Hauer and Sean Young.
Los Angeles 2019!
Created in 1982, the movie paints a sumptuously dark and dramatic picture of a utopian city of total control and total absence of standstill or rest. Dangerous sub-tasks on planet Earth’s “off-world colonies” are outsourced to so-called “replicants” who are genetically designed and artificially manufactured adult beings with a lifespan of only 4 years… and visually virtually indistinguishable from ‘normal’ human beings.
Following a revolt against this blatant abuse amongst replicants, they are declared illegal on Earth and a special police force of so-called “blade runners” are trained to hunt down escaped replicants with the objective to cleanse the planet by “retiring” (killing) them.
What interested me for this Film Review was how I would see this movie after almost 30 years - after all, it’s set in the year 2019 and we are just 10 years away from it today! It would tell me something about the Vision of the movie at the time, the evolution as to the technical and technological execution (who had a computer in 1982?) and about me: who I had become.
At the time, this movie was a bible for me. It inspired me to think out of the box in cinematographic terms – which I applied in my award-winning screenplay “Die Emscher Schlange” – in the forefield of which the very first online conference setup was tested by Telkom Germany (@ DM 600 an hour!) and I remember having to go to Berlin to see the first and extremely exciting 3D-Animation executed for an Architectural Design Project.
Those were the days… they come alive as I look at the original “Storyboard” Book (dated 4 March, 1981) and the Screenplay (dated 23 February 1981) today… such precious documents forming the blueprint of a future masterpiece.
Almost 30 years have gone by. The whole world has changed dramatically, the Internet has happened and Time is accelerating in a way many cannot cope with, escaping in one way or another… I was tempted to say “…retiring”.
It’s weird to even type 1981… it has drifted that far away. . .
What did I feel and connect with after watching ‘Blade Runner’ after so many years?
Firstly, it’s of course a movie for the grand cinema; watching it on TV or a tiny screen is strictly unforgivable if you want to allow yourself to be carried away into another world. Unless you’ve seen the movie several times on the big screen… as I have.
Secondly, it’s hard to believe the parallels of the phenomenal fictional setting in the movie and our reality today… and, projecting ourselves into the future given the current economical climate, we will see where we are going to be within a short decade.
Besides, the movie addresses today’s big relevant topics with an almost prophetic view: overpopulation, globalization, climatic change and… genetic engineering. Strangely, some images reminded me of Sofia Coppola’s “Lost in Transition” visuals… that feeling of complete ‘homelessness’… set in the psychedelic buzz of hyper-modern Tokyo by night.
Bearing in mind that in 1981 hardly anyone had a personal computer… and even the slightest notion of any electronic or graphic animation cost a fortune, the futuristic yet realistic backdrop of the movie is mind-blowing.
Perfect the setting and design into the smallest detail… masterful the lightning, fantastic the cinematography by Jordan Cronenweth. . . but… yes, there is one “but” because we are in 2009: too slow the pacing and editing.
Don’t get me wrong: it was fine… even perfect then… but now it’s too slow for today’s fast-moving audience. This definitely has changed, this definitely wasn’t projected: the acceleration of time and all it influences. While we relished in the masterfully designed scenes at the time, eager to hold them in order to discover so much art and invention and not to miss a detail… today we’ve gotten so used to ‘different worlds’ and so superficial in our approach that we need faster stimulation more often, at least more movement within the scenes, different angles, faster cuts.
Yes, this has changed. Time has changed.
The characters? Fantastically chosen. . . each and everyone! Except that, in my view, Deckardt could have shown a bit more strength as a character – at least to balance the absolutely incredible performances of both his enemy (see the short video on “Tears in Rain – Time to Die) – and Rachel (Love Theme).
TEARS IN RAIN
[Roy:]
“I’ve seen things, you people wouldn’t believe, hmmm.
… attack ships on fire off the shoulder of Orion.
I’ve watched C Beams glitter in the dark near the Tannhauser Gate.
All those moments, will be lost in time like tears in rain…”
["... time to die ..."]
Also beautiful those subtle if not humorous pointers indicating or projecting new developments within the story… allowing even the dreamlike appearance of that mythological creature… the unicorn… to be woven seamlessly into the fabric of the film. Magic!
And then… last but not least… what connects it all… then and now and in the future: a terrific flow of great thematic complexity and perfect fusion: the soundtrack by Vangelis. Times may change… this music is eternal and touches us on a level where we are all One. Therefore, it will always transport a feeling of identification in the Now as it’s always the same emotions that create the challenges that shape our Life.
This will not change… and as within all the Chaos there is and will always be the one divine constant that can so wonderfully be translated into music, here’s the LOVE Theme by Vangelis: music translating into pictures without words:
Not surprisingly… and despite initial box failures in the USA, Blade Runner was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”.
Significant is the word – absolutely!
According to the director, Ridley Scott, this was his “… most personal film” – but noone does a movie alone, it’s Teamwork following a Vision, the desire to reach a Dream… and the finished product reflects a culmination of many different people reaching out for Excellence on a personal level as well as for the whole.
I love sincerity of expression and going to and beyond the limits of what you believe in when it comes to Art; for me this is a definite trait of this great classic movie… even today.
If you haven’t seen ‘Blade Runner‘ yet and you are a lover of splendid cinematography, I recommend you do – the bigger the screen the better.
What fascinated me most was…
